Patti La Belle :: You Are My Friend

November 21st, 2013

When You’ve Been Blessed :: Patty LaBelle

November 21st, 2013

We’ve Come This Far By Faith

November 21st, 2013

I’m Not The Same Person

November 21st, 2013

At The Gate I Know

November 21st, 2013

He’s My Rock, My Sword, My Shield And Jesus Is Mine

November 21st, 2013


He’s My Rock, My Sword, My Shield And Jesus Is Mine by: Ms. Ethel Waters

Partner With God :: Ms. Ethel Waters

November 21st, 2013

ETHEL WATERS PARTNER WITH GOD


Biography of Ethel Waters
Ethel Waters (October 31, 1896 ? September 1, 1977) was an American blues and jazz vocalist and actress.

She frequently performed jazz, big band, rock and roll and pop music, on the Broadway stage and in concerts, although she began her career in the 1920s singing blues. Her best-known recording was her version of the spiritual, “His Eye is on the Sparrow”, and she was the second African American ever nominated for an Academy Award.

Early life

Waters was born in Chester, Pennsylvania on October 31, 1896. Ethel Waters was raised in a violent, impoverished home. She never lived in the same place for more than 15 months. She said of her difficult childhood, “I never was a child. I never was coddled, or liked, or understood by my family.” Despite this unpromising start, Waters demonstrated early the love of language that so distinguishes her work. Moreover, according to her biographer Rosetta Reitz, Waters’ birth in the North and her peripatetic life exposed her to many cultures. For the rest of her life, this lent to her interpretation of southern blues a unique sensibility that pulled in electric influences from across American music.

Waters married at the age of 13, but soon left her abusive husband and became a maid in a Philadelphia hotel working for US$4.75 per week. On Halloween night in 1913, she attended a party in costume at a nightclub on Juniper Street. She was persuaded to sing two songs, and impressed the audience so much that she was offered professional work at the Lincoln Theatre in Baltimore, Maryland. She later recalled that she earned the rich sum of ten dollars a week, but her managers cheated her out of the tips her admirers threw on the stage.

Career

After her start in Baltimore, she toured on the black vaudeville circuit. As she described it later, “I used to work from nine until unconscious.” Despite her early success, Waters fell on hard times and joined a carnival which traveled in freight cars to Chicago, Illinois. Waters enjoyed her time with the carnival, and recalled, “The roustabouts and the concessionaires were the kind of people I’d grown up with, rough, tough, full of larceny towards strangers, but sentimental, and loyal to their friends and co-workers.” She did not last long with them, though, and soon headed south to Atlanta, Georgia. There, she worked in the same club with Bessie Smith. Smith demanded that she not compete in singing the blues opposite her, and Waters conceded to the older woman and instead sang ballads and popular songs and danced. Though perhaps best known for her blues singing today, Waters was to go on to star in musicals, plays and TV and return to the blues only periodically.

She fell in love with a drug addict in this early period, but their stormy relationship ended with World War I. Ethel Waters moved to Harlem and became part of the Harlem Renaissance around 1919.

Waters obtained her first job at Edmond’s Cellar, a club that had a black patronage. She specialized in popular ballads, and became an actress in a blackface comedy called Hello 1919. Her biographer, Rosetta Reitz, points out that by the time Waters returned to Harlem in 1921, women blues singers were among the most powerful entertainers in the country. In 1921 Waters became the fifth black woman to make a record (recording for the tiny Cardinal Records label). She later joined Black Swan Records, where Fletcher Henderson was her accompanist. Waters later commented that Henderson tended to perform in a more classical style than she would prefer, often lacking “the damn-it-to-hell bass”. According to Waters, she influenced Henderson to practice in a “real jazz” style. She first recorded for Columbia Records in 1925; this recording was given a Grammy Hall of Fame Award in 1998. Soon after, Waters started working with Pearl Wright, and together they toured in the South. In 1924 Waters played at the Plantation Club on Broadway. She also toured with the Black Swan Dance Masters. With Earl Dancer, she joined what was called the “white time” Keith Circuit. They received rave reviews in Chicago, and earned the unheard-of salary of US$1,250 in 1928. In 1929, Harry Akst helped Wright and Waters compose a version of “Am I Blue?”, her signature tune.

During the 1920s, Waters performed and was recorded with the ensembles of Will Marion Cook and Lovie Austin. As her career continued, she evolved toward being a blues and Broadway singer, performing with artists such as Duke Ellington.

In 1933, Waters made a satirical all-black film entitled Rufus Jones for President. She went on to star at the Cotton Club, where, according to her autobiography, she “sang ‘Stormy Weather’ from the depths of the private hell in which I was being crushed and suffocated.” She took a role in the Broadway musical revueAs Thousands Cheer in 1933, where she was the first black woman in an otherwise white show. She had three gigs at this point; in addition to the show, she starred in a national radio program and continued to work in nightclubs. She was the highest paid performer on Broadway, but she was starting to age. MGM hired Lena Horne as the ingenue in the all-Black musical Cabin in the Sky, and Waters starred as Petunia in 1942, reprising her stage role of 1940. The film, directed by Vincente Minnelli, was a success, but Waters, offended by the adulation accorded Horne and feeling her age, went into something of a decline.

Waters with Count Basie in Stage Door Canteen (1943)

She began to work with Fletcher Henderson again in the late 1940s. She was nominated for a Best Supporting Actress Academy Award in 1949 for the film Pinky. In 1950, she won the New York Drama Critics Award for her performance opposite Julie Harris in the play The Member of the Wedding. Waters and Harris repeated their roles in the 1952 film version of Member of the Wedding” In 1950, Waters starred in the television series Beulah but quit after complaining that the scripts’ portrayal of African-Americans was “degrading.”

Despite these successes, her brilliant career was fading. She lost tens of thousands in jewelry and cash in a robbery, and the IRS hounded her. Her health suffered, and she worked only sporadically in following years. In 1950-51 she wrote the autobiography His Eye is on the Sparrow, with Charles Samuels. (It later was adapted for a stage production in which she was portrayed by Ernestine Jackson.) In it, she talks candidly about her life. She also explains why her age has often been misstated, saying that her mother had to sign a paper saying she was four years older than she was. She states she was born in 1900. In her second autobiography, To Me, It’s Wonderful, Waters states that she was born in 1897.

Her biographer, Rosetta Reitz, called Waters “a natural”. Her “songs are enriching, nourishing. You will want to play them over and over again, idling in their warmth and swing. Though many of them are more than 50 years old, the music and the feeling are still there.”

Private life

Waters is the great-aunt of Dance music singer and songwriter Crystal Waters. In the period before her death in Los Angeles, California, she toured with The Reverend Billy Graham, despite the fact that she had once been a Catholic and he was a Protestant. She died in 1977 at the age of 80 from heart disease, at the Chatsworth, California, home of a young couple who cared for her.

Awards and honors

Grammy Hall of Fame

Recordings of Ethel Waters were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have “qualitative or historical significance.”

Ethel Waters: Grammy Hall of Fame Award
Year Recorded
Title
Genre
Label
Year Inducted
1929
“Am I Blue?”
Traditional Pop (Single)
Columbia
2007
1933
“Stormy Weather”

(Keeps Rainin’ All The Time)
Jazz (Single)
Brunswick
2003
1925
“Dinah”
Traditional Pop (Single)
Columbia
1998
National Recording Registry

Waters’ recording of “Stormy Weather” (1933) was honored by the Library of Congress. It was listed in the National Recording Registry in 2004.

Legacy
Year
Title
Organization
Result
Notes
2007
Christian Hall of Fame
Inducted
1994
29 cents Commemorative stamp
U.S. Postal Service
Honoree
Photo (Scott #2851)
1983
Gospel Music Hall of Fame
Inducted
1962
Outstanding Single Performance

by an Actress in a Series
Emmy Awards
Nominee
Route 66

“Goodnight Sweet Blues”
1949
Best Supporting Actress
Academy Award
Nominee
Pinky (film)

Filmography

On with the Show! (1929)
Rufus Jones for President (1933)
Bubbling Over (1934)
Gift of Gab (1934)
Tales of Manhattan (1942)
Cairo (1942)
Cabin in the Sky (1943)
Stage Door Canteen (1943)
Pinky (1949)
The Member of the Wedding (1952)
Carib Gold (1957)
The Heart Is a Rebel (1958)
The Sound and the Fury (1959)

This page is based on the copyrighted Wikipedia article Ethel Waters; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA. 

Original Wikipedia article: http://en.wikipedia.org/wiki/Ethel Waters

His Eye is on The Sparrow

November 21st, 2013

Being Healed In The Broken Places

November 18th, 2013

PERHAPS STRENGTH DOESN’T RESIDE IN HAVING NEVER BEEN BROKEN BUT IN THE COURAGE REQUIRED TO GROW STRONG IN THE BROKEN PLACES”
ISAIAH 41:10 (NIV)
So do not fear, for I am with you; do not be dismayed, for I am your God. 
I will strengthen you and help you; 
 I will uphold you with my righteous right hand.


When we are broken, for the glory of Christ, we share not only in His sufferings but in rewards as well.  We grow into a deeper comprehension of His incredible sacrifice for us, by dying a torturous death on the cross.  We appreciate all the more His devotion and unconditional love.  Hopefully, when we suffer a trial it draws us even closer into His loving embrace. 

We are assured that our Savior will strengthen us and help us through whatever battle we must face.  He promises to uphold us in His very hand!!  With the provision of spiritual armor, there should never be any doubt in our making it through obstacles. In fact Philippians 4:13 tells us that we can do all things through Him who strengthens us.
So what are the rewards gained by enduring storms?  Well, for one thing your relationship and intimacy with Christ will mature.  With the maturing process that comes with trials of many kinds, we gain perseverance.  This process helps to complete us here and equips us for our heavenly work in the future.
We also gain a wisdom that can be used to comfort others who are going through trials similar to our own.  We must learn to take our broken pieces and request God’s assistance to reassemble them in a way that is pleasing to Him.  Asking for wisdom to apply our new knowledge and deeper faith should also be a prayer request.
So let’s review.  Trials will come; there is no getting out of them.  We are promised to have the provision of God’s strength to persevere and make it through the trouble.  He tells us, in fact commands us, to not be dismayed when they come and to be unafraid.  He will see us through and uphold us in His hand but faith is required on our part.
 In addition to the promise of seeing us through life’s circumstances, we share in the rewards that come with suffering for His name.  We gain wisdom, perseverance, a deeper faith and reliance on Him.  We mature and don’t remain “Baby Christians” dependent only on milk.  Rather, we can eat solid foods including the Bread of Life. We grow in our faith and trust, every time we see the Lord faithfully bringing us through personal trials and working in the lives of those around us.
Indeed, perhaps strength doesn’t reside in never being broken, but rather in the courage we exert to rise from the ashes of our broken lives.  It is by willfully choosing to use the strength God offers to heal our broken places that we find encouragement and a deeper relationship with our Father.
JAMES 1:2-5 (NIV)        Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything. If any of you lacks wisdom, you should ask God, who gives generously to all without finding fault, and it will be given to you.
PSALM 22:24 (NIV)       For He has not despised or scorned
the suffering of the afflicted one; 
He has not hidden His face from him but has listened to his cry for help.

God’s Got A Blessing

November 17th, 2013